作者:秉辛 来源:原创 时间:2026-08-26 阅读:85281 次

四大名捕

【第777期·教研活动】聚焦游戏分享 共享教研智慧——开福区水映加州幼儿园自主游戏观察与评价教研活动_我的网站

我是谁

A |     

Moviegoers line up at a IMAX ticket hall in Dongguan, South China's Guangdong Province, on August 15, 2026. Photo: VCG
    Moviegoers line up at a IMAX ticket hall in Dongguan, South China's Guangdong Province, on August 15, 2026. Photo: VCGChristopher Nolan's much-anticipated The Odyssey officially opened in China on Friday, quickly becoming one of the hottest tickets of the summer movie season, with moviegoers scrambling for premium IMAX screenings and some even traveling to other cities for better viewing experiences with better screens. 
Meanwhile, domestic hit Once Upon a Time in the Middle East has grossed more than 850 million yuan ($126 million), adding to the intense competition for audiences during China's packed summer movie season.
The Odyssey, which had already held limited previews in China, had grossed an estimated 240 million yuan as of Sunday, according to ticketing platform Maoyan. Its projected box office is expected to surpass 700 million yuan, potentially exceeding the 452million yuan Oppenheimer grossed in the Chinese mainland.
The Odyssey is the first feature film shot entirely using IMAX cameras and is being presented in IMAX 70mm at select theaters. Its large-format cinematography and expansive visual style have made the IMAX experience a major selling point for Chinese moviegoers.
Demand for premium IMAX screenings was already intense during the film's previews, with some theaters reporting full occupancy. After its official release, that enthusiasm has shown no sign of easing.
In Beijing, one longtime Nolan fan had been following the film since before its release and had repeatedly tried to secure a seat at the China National Film Museum's IMAX GT theater, one of the most sought-after formats for the movie. 
Unable to get a ticket, the moviegoer eventually chose another well-reviewed IMAX theater and paid 180 yuan for a seat, three times the price of a normal seat, that was not particularly well positioned.
The theater was nearly full when the audience arrived, the moviegoers were largely quiet as they waited for the screening to begin. But the large-format presentation delivered the immersive audiovisual experience the audience had been anticipating.
Another moviegoer, Lin Xiao, managed to attend an IMAX screening during the previews and also noted the high attendance. She told the Global Times that audiences had already formed a long line outside the theater before the movie began.
On Chinese lifestyle platform Xiaohongshu, or RedNote, some moviegoers have posted about traveling to other cities because their hometowns do not have IMAX GT screenings. Some have even taken high-speed trains specifically to watch The Odyssey in what they consider a better theater.
Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times that The Odyssey's strong reception and high attendance in China demonstrate that high-quality content, combined with the rare and highly immersive experience offered by premium formats such as IMAX GT, remains a key competitive advantage for cinemas. 
The film's strong quality, coupled with its cutting-edge large-format presentation, creates a theatrical experience that cannot be easily replicated at home, showing that when cinemas can offer a sufficiently distinctive immersive experience, the big screen retains its unique social and ceremonial appeal, with audiences willing to pay a premium for such exclusivity, said Zhang. 
However, film critic Liu Nandou offered a restrained forecast, predicting its Chinese mainland gross at 300 million to 800 million yuan ($41 million to $110 million). 
"Nolan's films have a ceiling," he told the Global Times in a previous interview. "The threshold for understanding The Odyssey is extremely high, and it doesn't fit the broad popcorn audience."
The appeal of premium formats is not limited to The Odyssey. Several films in China's summer movie season have also embraced IMAX and other high-end formats, giving audiences more options for immersive theatrical experiences.
Once Upon a Time in the Middle East, which has grossed more than 850 million yuan at the box office and is projected to surpass 2.5 billion yuan, according to Maoyan, was specially shot for IMAX. 
Rather than relying on grand battle scenes, the film is set almost entirely in a small Chinese restaurant in war-torn Iraq in 2003. Played by Shen Teng, Xu Fu is a chef looking to make a living abroad and find a quiet life. But when war suddenly erupts, he and restaurant manager Ma Junsheng, played by Jiang Qiming, choose to keep the kitchen running, serving authentic Chinese dishes and creating a safe haven for local civilians and children amid the chaos.
The film uses IMAX's large screen to present the warmth of everyday life and the details of the restaurant with greater clarity and immersion.
The Odyssey, meanwhile, uses IMAX film cameras to bring the epic scale of Homer's poem to the big screen with sweeping and visually striking imagery. All Wishes Come True! is also available in premium formats including IMAX, Dolby and CINITY, using enhanced audiovisual technology to amplify its visual effects and emotional atmosphere and help drive box-office growth, according to China's state media CCTV.
As more films made for premium formats continue to draw audiences, high-end theaters equipped with IMAX, CINITY and other technologies are seeing increased demand, giving moviegoers a wider range of viewing options.
Film industry experts said audiences are no longer satisfied simply with being able to watch a movie, but increasingly want to "watch a good movie" and "experience a film in an immersive environment."
。    聚焦游戏分享          共享教研智慧          # 自主游戏观察与评价 #          水映加州幼儿园                              在对自主游戏活动的探索与实践中,水映加州幼儿园聚焦自主游戏中的“游戏分享”,持续优化游戏分享内容的组织与实施,关注游戏分享交流,通过理论学习、现场观摩、互动研讨等形式,共同学习、研思,推进教师的专业成长的同时也助力幼儿发展          +自主游戏观察与评价+          ♫♩♪♫♩♪♫♩♪♫                              – 01 –          表达观点,明确方向                              教研前期,马老师结合教师们对游戏分享的价值观点,借助信息技术梳理了关于“游戏分享”的关键词。每一位教师结合自身游戏分享过程中的问题与困惑进行交流,各小组进行梳理,整理共性问题与个性问题,借助教研活动进行研思解惑。

B |                    通过梳理,教研活动针对教师们提出的问题,明确了教研内容与方向,针对游戏分享的内容、关注点、组织方式等开展研讨互动。                                                 – 02 –          理念更新,扎实理论                              《3-6岁儿童学习与发展指南》特别提到“要充分理解和尊重幼儿发展进程中的个别差异,支持和引导他们从原有水平向更高水平发展,按照自身的速度和方式到达《指南》所呈现的发展‘阶梯’,切忌用一把‘尺子’衡量所有幼儿。”观察是基础,只有观察才可以辨别每个幼儿的最近发展区,然后在解读的基础上进行适宜的支持。

C |          通过理论学习,教师们科学理解幼儿的最近发展区,梳理了自主游戏观察评价“五部曲”,即:          观评儿童某个发展点的水平          材料是否丰富          环境氛围是否支持/包容          介入时机          游戏后的回顾(视频/照片)                                                       – 03 –          视频分享,实践研讨          为深入研讨,水映加州幼儿园的教师们观看自主游戏视频,组织各个教师进行幼儿自主游戏观察与幼儿自主游戏评价,共同解读幼儿在游戏现场的行为,讨论自主游戏活动中的亮点、问题、优化建议,分析对本场游戏的优化建议及后续的支持,共同梳理自主游戏的实施要点。         分享交流是游戏活动的重要组成部分,对幼儿语言、思维、交往能力的发展都有着积极的促进作用。通过教研活动的实践,教师不断发现游戏分享中的问题,从而进行调整、优化,在一场场思维碰撞中不断积累经验,提升自身专业素养。                                       编辑 | 张思梦          一审 | 首媛芝          二审 | 首媛芝          三审 |陈扬眉。

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